Tag Archive: Yuzu

The top single for the past week was Kis-My-Ft2’s “Hikari no Signal” (光のシグナル), which saw 202,877 copies sold. That seems to be a low number – I don’t have the first week numbers for all the group’s singles, but it’s at the bottom end of their range.

At #2, C-ute’s “Kokoro no Sakebi no Uta ni Shitemita/Love take it all” sold an impressive 62,405 copies. That’s in-line with their previous two singles, each of which beat all of their previous singles by a mile.

EXILE TAKAHIRO’s “Love Story” took #3, selling 54,397.

Maeda Atsuko-san only managed to get #4 with “Seventh Code”, selling 42,784 compared to 60k for her previous single – a far cry from the 177k and 136k for her début and second singles. So, we’re still not sure about the baseline for AKB members who go solo.

So here’s my question for the week: who’s DISH// and why have they picked a name designed to make file systems choke? I checked out their Wikipedia page, and it looks like the group is a male version of Momoiro Clover, which sounds pretty good. The fact that their “Freak Show” took #5 and sold 34,328 isn’t bad, either.

“Mae Shika Mukanee” from AKB48 got #6, selling 24,210 for a total of 1,115,616 after two weeks. That’s a 2% second week, which is becoming standard for AKB. At the same time, I’m wondering whether it might not be more interesting to judge singles by their second week, putting more weight on those results than the ones for the first week. There’s just too much effort to boost first week results – and not just from AKB – to give much credence to those numbers.

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The top single for the past week was AKB48’s “Mae Shika Mukanee”, which saw 1,091,406 copies sold, which is in-line with expectations set by the first AKB single of the year for the past three years.

E-girls had a good showing with “Diamond Only” at #2, selling 72,808. That’s at exactly the same level as their previous two singles, so full marks for consistency.

At #3, Lead’s “Sakura” did well, selling 41,559.

AAA’s “Love” took #4 with 25,486 copies sold.

In its second week, “King of Otoko” from Kanjani8 sold only 20,761 at #5 to bring its total to 373,649. That’s just 6% of first week sales, and suggests some . . . interesting features . . . were involved in getting the first week number where it was.

“Bittersweet” from Arashi took #10 in its third week, tacking on 13,201 to push its total to 567,793.

Two instances of special coverage this week: Gouriki Ayame-san’s new single took #12 and sold 9,231 in its first week. Kondo Masahiko-san’s “Sennen Renbo” was at #22 and saw 5,003 copies sold.

As expected, it’s never safe to count Fukuda Kouhei-san’s “Nanbu Semishigure” out. It bounced back once again to #21, selling 5,134 to bring its seventy-one week total to 164,091. It’s sort of amazing that it’s only sold 164k after spending so long in the top 30.

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The top single of the past week was Kanjani8’s “King of Otoko!”, which became the group’s most successful single by selling 352,888 copies – narrowly beating the first week of the group’s previous best – “Musekinin Hero”. That’s quite a comeback after a pair of soft singles.

Arashi’s “Bittersweet” took number two, selling 42,896 copies to bring its two-week total to 554,592. That’s lower than what I’d usually expect for an Arashi single’s second week, and this one didn’t knock it out of the ballpark in the first week. On the other hand, it’s better than what we saw on “Endless Game”,  so I think we’re just looking at average results here.

At #3, “Aoi Ryu” (青い龍) from EXILE ATSUSHI sold 35,085 copies.

“Otona nano yo!” from Berryz Koubou took #4 by selling 30,229.

Kobukuro’s “Ima, Sakihokoru Hana Tachi Yo” sold 19,277 at #7.

Kanjani8’s new single has had significant coattail affects on their previous two singles – the ones that didn’t do so well. I don’t know if this is event-driven or whether people just didn’t know about “Hibiki” and “Kokoro Sora Moyou” until they went to the store to buy “King of Otoko!”. Anyway, “Hibiki” took #9 in its sixth week, selling 16,140 to finally get above the platinum mark with 257,223 sold in total. “Kokoro Sora Moyou” got #11 with 13,150 sold in its twelfth week to push its total to 254,981. In other words, Kanjani8 saw three of their singles crack platinum in the Oricon standings in the same week. That has to be some kind of strange record/coincidence, right?

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The release schedule really picks up going into February, and the floodgates fully open by the 19th. While the most of the top spots are probably going to the obvious names, seeing as how Arashi, AKB48, and other marquee groups are in the mix, there’s going to be plenty of depth to the charts soon. No more of these lingering singles filling up the top 30.

This list has selected single and album releases for the month, not all of them (i.e. releases from groups that I’m interested in tracking or at least recognize). With the sudden explosion of releases to keep track of, I know I must have missed important ones, so please mention the artist and title in a comment and I’ll update the list.

More complete listings are available on merchant websites (I use CD Japan’s list).

February 5th

Hey! Say! Jump – AinoArika/Aisureba Motto Happy Life

Tohoshinki – Hide & Seek/Something

The SECOND from EXILE – The II Age (album)

Itano Tomomi – little

NICO Touches the Walls – NICO Touches the Walls no Best (album)

MISIA – Boku wa Pegasus Kimi wa Polaris

KREVA – Tranquilizer

February 12th

Arashi – Bittersweet

Domoto Tsuyoshi – Shimanippon – Roinochinoi (album)

T.M. Revolution/SCANDAL – Count ZERO/Runners High

SID – hug

Yuzu – Hikare

miwa – Faith


ayaka – number one

Funky Kato – My Voice

FOLKS – NEWTOWN (mini-album)

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The top single for the past week was Kanjani8’s “Hibiki”, which sold 206,091 copies  and seems to be on a similar trajectory as their previous single released only seven weeks ago – “Kokoro Sora Moyou”.

There was very little competition for Kanjani8, as the number two spot was taken by Sakanaction’s “Goodbye/Eureka”, which sold 22,195 – little more than a tenth of the number Kanjani8 put up. It’s still not a good time for new releases, apparently.

Nogizaka46’s “Barrette” was the next notable single, taking #9 in its eighth week by selling 10,097 copies to push its total to the vicinity of 500k – 496,164.

At #12, Fukuda Kouhei-san’s “Nanbu Semishigure” is still hanging out. It now boasts a sixty-five week total of 135,463.

Kanjani8’s “Kokoro Sora Moyou” no doubt benefited through the coattail effect from the release of the new single – it bounced from #30 to #13, selling 5,049 copies in its seventh week for a total of 230,342.

“101 Kaime no Noroi” from Golden Bomber took #14 this week with its three-week total now at 170,306.

The Busaiku team from Kis-My-Ft2 was right behind at #15, with their “Tana kara Botamochi” selling 3,733 in week six. Its total is now 192,367.

At #16, AKB48’s “Koisuru Fortune Cookie” is still adding to its formidable total after twenty-two weeks. It surpassed 1.5 million this week, reaching 1,503,487.

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